from The Naif in The Georgia Review, 2024

from Untitled in mercury firs, 2024

from A superstitious poem in The Nation, 2024

from The only name we can call it now is not its only name in digital vestiges, 2023

from Untitled in Etcetera, 2023

from The only name we can call it now is not its only name in BathHouse Journal, 2022

from The only name we can call it now is not its only name in Annulet, 2022

from To love an artist in Verse, 2022

from To love an artist in Chicago Review, 2022



from Tell Me How It Makes You Feel in The Believer, 2020

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