Valerie Hsiung is a poet, writer, interdisciplinary artist, and the author of several poetry and hybrid writing collections, including To love an artist (Essay Press, forthcoming), hummingbird et partygirl (Essay Press, forthcoming), outside voices, please (CSU, 2021), Name Date of Birth Emergency Contact (The Gleaners, 2020), YOU & ME FOREVER (Action Books, 2020), and e f g (Action, 2016). Her poethics is concerned with thresholds (btw speech & song, the literal & the symbolic, the private & the mythic, the ecologic & the cosmic, the political & the metaphysical, the scientific & the incantatory, the heavy & the petty, and Mackey’s orphic & orphan), the deformed and the incorrect and the off and the lag and the jetlag as they exist within eco-crip time, modes of decomposition, and ongoingness/chronicity. Her work can be found in places such as The Nation, The Believer, New Delta Review, The Adroit Journal, Ghost Proposal, Black Sun Lit, The Rumpus, Chicago Review, jubilat, Denver Quarterly, and beyond. She has performed at Treefort Music Festival, Common Area Maintenance, The Poetry Project, Poetic Research Bureau, and Shapeshifter Lab, and her writing has been commissioned by Montez Press Radio, Hyle Greece, and Downs & Ross. Born in the Year of the Earth Snake and raised by Chinese-Taiwanese immigrants in Cincinnati, Ohio, she now lives between nowhere and somewhere. 

︎
︎
︎
︎